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As a part of the Burning Forest series I am creating a series of paintings depicting ruins of old and a vision of what the ruins of today might look like sometime in the not to distant future. The ruins of old in most cases reflect great architecture, character and the great materials used in construction. The ruins are as compelling as tghe original structures ( In some cases more compelling!).  Of today's ruins I cannot say the same. In most cases I think they will look like trash heaps and will not in any case have the perpetuity of those of anitquity. What does this say of civilization? Are our principles and values reflected in the buildings that we create? Are they as flimsy, transitory and disposable as the structures in which we live and work? Does this tell us something in regards to what we might need to change? These are all questions that I reflect upon as I try to invision what will be left once we are gone.   

Lack of information, or emptiness, is one of the key precepts of Chinese aesthetics. It is the experience of having done the work of art that is important and not the work itself. Is that the case with the Pyramids? Was it more important to the builders to have done it than to have recorded the how and why? In the arts it is the undsaid that carries the energy through the piece. As Simon Leys relates in his book The Burning Forest, 

" It should be observed tht it is precisely emptiness that provides the best conductor for this current'.

This energy is Qi. So perhaps it is this the lack of information that is the best conductor of the current of purpose and awe that is expericned when confronted with the great Pyramid. It and not the Pyrmaid is the underlyng energy with which we are confronted.  

 


" Extant Egyptian records, whether written or pictorial, throw no light on the methods employed by the builders of the pyramids either in planning or in constructing their monumental works."

So says I.E.S. Edwards in his famous book The Pyramids or Egypt. Logically this makes no sense. But whatever information they used to construct the pyramids on the Giza Plateau must also have been quickly lost as the preceding contructions reveal a lack of the same sophistication of construction methods.

It also makes no sense that within the great pyramid and others there is no writing or pictorial illustration. If we are to believe that the purpose of the pyramid was as a tomb then why did they not follow the same procss as was later followed in the Valley of the Kings. There the tombs were fully decorated? This lack of records or other ornamentation in regards to purpose and the methods of contruction may provide a clue rather than a mystery. What can we suggest if we look on this lack of information as a clue.

1. The information used to construct the Giza complex came from somewhere and was lost quickly.

2. Wherever the information came from it is not apparent from other sites of antiquity that have been excavated.

3. No burial has been found in any of the Giza Pyramids or, I believe in any of the others.

4. No technology has been uncovered that would suggest methods that would allow the construction of these objects on such a grand scale. Some ideas have been suggested but none is productive enough to have been the method used. 

5. Such knowledge/ information would seem to be a treasure of any civilization and would most likely be protected and passed down to succeeding generations.

6. There is no mention from succeeding generations that they recieved any information on how to build the pyramids.

7. Pyramids that followed the construciton of the Giza Plateau seem to be trial and error projects to reverse engineer the Giza constructions.

8. If the number of people suggested particiatied in the construction of the Giza Complex it would seem likely that one of more would have in some way recorded some information in regards to the construction.

9. The constructions seem to have come out of nowhere. There is no construction information available that records the earlier pyramid building leading up to the Pyramids at Giza.

10. The Giza Constructions are like seeing a balance sheet of a small company that during a particular quarter grows immeasurably and then shrinks back to its original state by the next quarter with no explanation. How could life have proceeded normally in the face of such an achievement?

11. To the lack of information is the clue. It tells us that something extraordinary happened that for some reason came from nowhere, was not recoreded and was never successfully replicated.

 

This mystery is a part of my directon in exploring the ruins of past and future.  I paint these ruins, as a part of the new Burning Forest Series based on the essense of what I feel versus what I know.  As I saw them for the first time a year and a half ago they are, and will remain, one of the most fascinating challenges both artistically and  intellectually.                   

 


Having visited the Kings Chamber in the great pyramid I must admit that it first appears to be more of a sensory deprivation chamber than a place of burial. The Egyptian culture was focused on how the interior life manifested itself in outward actions. Therefore I  would not be surprised if these chambers, which we know were used for initiation rights, were also used by the priests to help their royal counterparts reach a deeper level of inner being. A level were a greater harmony exists and the truth can be seen. Silencing the five senses is necessary for this to be achieved and the chamber that I experienced would have been a perfect laboratory for the experiment. 

Chambers Beneath the Sphinx

Posted by: Jim in The SphinxEgypt on

Several years ago The Fox TV Network had a live show from the pyramids that exposed several new underground chambers underneath the Sphinx. As I recall in their explanation of the findings they focused on a large sarcophogus flanked by several statues of Annubis. They also pointed out several tunnels(now filled with debris) that radiated out under the Plateau. What struck me was the engineering necesary to hewn these chambers out of bedrock and to a depth of 2 to 4 stories. It also appeared that the walls were pretty well fininshed and square. I had to ask the question 'how'? Also what of the tunnels and 'why'? There has been no follow up reports to my knowledge but I think there is much more to find in the Plateau complex than we can ever imagine and most of it might be underground.

 


The Sphinx -- Purpose and Meaning

Posted by: Jim in The SphinxEgypt on

To me the Sphinx, along with the Great Pyramid of Giza represents a single message. It is a message in stone that is concerned with the inner development of the human brain/ mind complex.

At the dawn of civilization our inner nature was changing with the emergence of a new and more dominant layer of mind. The emergence of this new layer represented an addition to the already present layer of instinctual mind. We still had our instincts but we were now self conscious.

Further we could plan, create and thus dominate the lower species that did not have this facility. We could now both create and destroy with more power than any species on the planet. We had thus become the most capable of development and the most dangerous. We had a new and dominant voice in our heads coupled with our old and instinctual (survival of the fittest) mind.

Personal Speculation on the Meaning and Purpose of the Sphinx

  1. If the Sphinx had been fashioned with a Human Body and a Lion Head it would have carried a message of one of the weakest and most vulnerable animals on the planet. It would have had a body that lacked the physical strength that its mind required for success in the environment. Instead it seems to represent a new hybrid species that has the greatest mind and the most powerful body. It can both think and execute at new levels of performance.
  2. On a recent trip to Egypt our guide related to us the logic behind the great monuments of Abu Simbel. They were made, he told us, on a large scale to scare anyone encountering them on the border of Egypt and Nubia. The Sphinx I believe was also meant to scare anyone encountering it or groups of it as exist in Luxor along the Avenue of the Sphinx.  The message seems to be, ‘beware as we are thinking men with the power of lions'.









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The J. Hull Gallery web site features watercolor paintings from watercolor painter Jim Hull. Jim Hull's watercolor paintings feature a variety of topics including golf course watercolor paintings, landscape watercolor paintings, city watercolor paintings, town watercolor paintings, village watercolor paintngs, space watercolor paintings, outer space watercolor paintings, ocean watercolor paintings, and boat watercolor paintings. The watercolor painting gallery sells original watercolor art as well as reproduction prints of original watercolor paintings. A lower cost art option is to buy our poster prints of watercolor paintings. While you are here, please visit out watercolor painting blog featuring painting tips, watercolor advice, insight into the ancient world, philosophy and information on independent space development. The gallery also features several series of watercolor paintings featuring Egypt watercolor paintings, watercolor paintings of the pyramids and karnack, watercolor paintings of Italy and watercolor paintings of Florence and watercolor paintings of Venice.