The idea of coherence relates to an instant tuning together of all of the parts of a painting. Nature as we know is not automatically coherent. It is chaotic at the visual level. It is therefore one of the key objectives of the watercolor artist to use the concept of coherence to create a 'whole' unified painting. Therefore to create a 'forever painting' the idea of choerence must necessarily play a dominant role. Many paintings seem coherent on one level but fail to meet that standard on all levels. It is not enough to merely use technique to force coherence at the painting stage. It must be built in at the design, story and painting levels. These to me represent the three most important areas for a watercolor painter to use. It is much like the design build concepts used in the construction industry. First we design and then we build or render. To have too little thought on the front end(design/ story leaves too much to chance. While chance plays an important and much recognized role in watercolor painting it should not be the principle design strategy in an intentional painting. In a non intentional spontaneous painting one could lauch forth with 'chance' as the key strategy but in the end the artist must bring coherence into play if the painting is to succeed.
Carrying the message 'strongly' in a painting is one of the key goals of a watercolor painter. One should never struggle too long over a weak depiction. The key is to begin over if the inital attempt appears to be too weak because in painting the stage must be set early for success.
Posted by: Jim in Painting Technique on
Aug 06, 2008
For an audience to believe that you have created a forever painting you have to build in complexity. This is somehting that was, not only known, but widely utilized in past centuries. When painting was a primary mode of entertainment it was imperative that the artist build in levels and depths of meaning in order to have a painting stand up to the scrutiny of repeated viewings. If the viewers always felt that there were more hidden meanings than could be comprehended in an intial viewing, they would be drawn back to the piece again and again. Today we seem to have lost the ability and desire to build such complexity into our watercolor paintings. While design and color can contribute to feeling and meaning they do not allow the viewere to continually explore and find new and different meanings hidden within the framed work. They are significance is primarily emotional. We need to begin once more to explore this idea of complexity as a part of the design process in order to create more memorable works.
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